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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院我们的成长日记 第一季晚酌的流派2重返侏罗纪 第一部历劫惊涛探索交通未吟之歌战天狼乡村医生2016迪兹先生南海猎人催命符更深地恋爱 -命运的再会SP-恶魔猎手祖宗十九代青苔2018人生七年4大卫·赫尔姆斯：大难不死的男孩为舞而生芭比之珍珠公主夜行追踪急先锋粤语虚空北境沉睡魔咒2前度粤语我的异界之旅尼古拉斯·尼克贝2003一呼百应风中的女王第二季金银岛之战烈火战车2：极速传说国语
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院我们的成长日记 第一季晚酌的流派2重返侏罗纪 第一部历劫惊涛探索交通未吟之歌战天狼乡村医生2016迪兹先生南海猎人催命符更深地恋爱 -命运的再会SP-恶魔猎手祖宗十九代青苔2018人生七年4大卫·赫尔姆斯：大难不死的男孩为舞而生芭比之珍珠公主夜行追踪急先锋粤语虚空北境沉睡魔咒2前度粤语我的异界之旅尼古拉斯·尼克贝2003一呼百应风中的女王第二季金银岛之战烈火战车2：极速传说国语