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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院爱之咬痕坚不可摧：救赎之路圣徒魔兽之副本人生伤心先生冒牌财神爷冰临险境4x4抗日名将左权你的生命如此多情干涉2016西非历险海昏行以下犯上纯情罗曼史OAD暗物质醇爱假期两只兔子追凶第一季命运之矛火线追凶之黑枪疑云吸血鬼姐妹3民主青年进行曲死亡契约2006阴阳界生死恋女子无畏第五季兰戈爱情冻住了三等国民一夜迷情
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院爱之咬痕坚不可摧：救赎之路圣徒魔兽之副本人生伤心先生冒牌财神爷冰临险境4x4抗日名将左权你的生命如此多情干涉2016西非历险海昏行以下犯上纯情罗曼史OAD暗物质醇爱假期两只兔子追凶第一季命运之矛火线追凶之黑枪疑云吸血鬼姐妹3民主青年进行曲死亡契约2006阴阳界生死恋女子无畏第五季兰戈爱情冻住了三等国民一夜迷情