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剧情介绍
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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院魔影大师地狱无门1980涉梦者走走停停巫蛊人偶致1999年的自己猎天狼伊菲吉妮娅快乐英雄英国广播公司：诺曼行走太空杀路塞瑟岛之旅地球风暴2022罗斯玛丽的杀手明星雇员彭赞斯的海盗1983披头士乐队：回归教室的那一间第三季火影忍者幸福的彼端四重奏境界线上的地平线2他们已不再变老哈基幼儿园荒诞夜平淡历史小镇青年之潜罪者神农巨兽女人的故事完美的日子
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院魔影大师地狱无门1980涉梦者走走停停巫蛊人偶致1999年的自己猎天狼伊菲吉妮娅快乐英雄英国广播公司：诺曼行走太空杀路塞瑟岛之旅地球风暴2022罗斯玛丽的杀手明星雇员彭赞斯的海盗1983披头士乐队：回归教室的那一间第三季火影忍者幸福的彼端四重奏境界线上的地平线2他们已不再变老哈基幼儿园荒诞夜平淡历史小镇青年之潜罪者神农巨兽女人的故事完美的日子